Agenda 2010
Facultad de Derecho
Salon Auditorium
(Figueroa Alcorta 2263, Capital Federal)
Concierto
Trio Matiegka
Integrantes:
Sebastián Subatin, flauta
Ana Corrado, viola
Martín Cadaviz, guitarra
Sábado 9 de octubre a las 16:00 hs.
Entrada libre y gratuita
Programa:
Wenzeslaus Matiegka (1773-1830) Nocturno en Sol Mayor op.21
Ständchen: “Madchen, O Schlummre Noch Nicht” (Tema con variaciones)
Carlos Guastavino (1912-2000): Suite Argentina:
Nora Ponte: Ser Diferente (Estreno Mundial)
Pascal Jugy: Fantaisie Latine (Estreno Americano)
Oddvar Kvam (1927): Trio Ostinato Op.59 B
Friday, October 8, 2010
[Voxnovus] 360 Degrees of 60x60 (Burgundy Mix) - October 3rd
19:30 - Stockholm, Sweden
60x60 (Burgundy mix) is being presented by Marcus Wrangö at the Wfestival music festival, taking place on October 3rd, 2010 19:30 at Fylkingen, Stockholm, Sweden.
The festival is featuring the electro acoustic indie ambient rock band Jacon,60 composers during a hour in cooperation with the 60x60 project. Improvisation, film, electro acoustic music and musical drama, and more..
Venue: Fylkingen
Address: Torkel Knutssonsgata 2, Stockholm
Entrance fee: 120 SEK for both days, 80 SEK for one day.
Students: 100 / 60 SEK.
Entrance opens 19.30, concerts starts c:a 20.00.
Sunday 3 october, 19.30:
360 Degrees of 60x60 (Burgundy Mix) - 60 Composers during one hour, in cooperation with the 60x60 Project and ICMC 2010
Soll d Schlaf nicht allmählich abgeschafft werden? - A piece by Magnus Bunnskog performed on six turntables, styrofoam and voice, performed by members of the Royal College of Music Live electronic ensemble.
TheRoom - Object manipulation film, Directed by: Oskar Wrangö, Performed by: Erik Åberg, Music by: Marcus Wrangö.
piece by Sebastian Lakatos - An electro acoustic piece.
Composers in 360 degrees of 60x60 (Burgundy Mix) include: Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul
Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe,
Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric
Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow.
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented
during the conference and at remote concerts around the globe.
19:30 - Stockholm, Sweden
60x60 (Burgundy mix) is being presented by Marcus Wrangö at the Wfestival music festival, taking place on October 3rd, 2010 19:30 at Fylkingen, Stockholm, Sweden.
The festival is featuring the electro acoustic indie ambient rock band Jacon,60 composers during a hour in cooperation with the 60x60 project. Improvisation, film, electro acoustic music and musical drama, and more..
Venue: Fylkingen
Address: Torkel Knutssonsgata 2, Stockholm
Entrance fee: 120 SEK for both days, 80 SEK for one day.
Students: 100 / 60 SEK.
Entrance opens 19.30, concerts starts c:a 20.00.
Sunday 3 october, 19.30:
360 Degrees of 60x60 (Burgundy Mix) - 60 Composers during one hour, in cooperation with the 60x60 Project and ICMC 2010
Soll d Schlaf nicht allmählich abgeschafft werden? - A piece by Magnus Bunnskog performed on six turntables, styrofoam and voice, performed by members of the Royal College of Music Live electronic ensemble.
TheRoom - Object manipulation film, Directed by: Oskar Wrangö, Performed by: Erik Åberg, Music by: Marcus Wrangö.
piece by Sebastian Lakatos - An electro acoustic piece.
Composers in 360 degrees of 60x60 (Burgundy Mix) include: Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul
Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe,
Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric
Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow.
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented
during the conference and at remote concerts around the globe.
Monday, September 13, 2010
SUNDAY, AUGUST 22, 2010
Inter-American Festival breaks
new ground Aug. 28
World premieres to music from the 19th century will make up the unusual repertoire of the upcoming Inter-American Festival of the Arts to open Aug. 28. Instead of longer festivals as in the past the IFA 2010 will be contained in Americas Music Week, which closes Sept. 5.
However, that week, sponsored by the Musical and Theater Arts Corp., will be jam packed with the most varied and novel offerings with two acclaimed conductors on the podium.
Puerto Rico Symphony Orchestra Musical Director Maximiano Valdés and Puerto Rican composer Carlos Alberto Vázquez will preside over four of the five avant garde concerts of Latin American music.
The concerts will include two symphony programs, two chamber programs and a piano recital. The repertoire reflects the work of several composers from the American hemisphere, including 13 Puerto Ricans, with works from the 19th century until the present.
The broad spectrum of composers will include at least three women, a significant representation in light of the low numbers
The Aug. 28 opening concert begins at 8 p.m. in the Theater of the University of Puerto Rico. The program by the PRSO, conducted by Valdés, will be dedicated to the Bicentennial of the Independence of Mexico and the Centennial of the Mexican Revolution.
Puerto Rican conductor and violinist Guillermo Figueroa will be the soloist in the Concertino Tropical and Insular, both for violin and string orchestra by Ernesto Cordero. Also on the program will be Tanguitis, by Venezuelan composer Alfredo Rugeles, with orchestration by Manuel de Elías; Tureyareyto, by Héctor Campos Parsi; and two Mexican works: Danzón #2, by Arturo Márquez and Fronteras Híbridas, by Gabriela Ortiz.
On Aug. 29 at 4 p.m. in the Raúl Juliá Theater at the Puerto Rico Art Museum, a chamber music will feature PRSO members Francisco Cabán, violín; Emanuel Olivieri, viola; Luis Miguel Rojas,cello; and pianist Diana Figueroa. They will present a novel program of works by Alejandro Cardona, of Costa Rica; Rodolfo Ledesma, of Colombia; Stephen Hartke, of the United States, and Carlos Carrillo and Armando Ramírez of Puerto Rico.
On Sept. 2 in the same venue, Puerto Rican veteran pianist Félix Rivera Guzmán will present a challenging recital with American masterpieces by Venezuelan composer Diana Arizmendi, Chilean Juan Orrego-Salas, Panamanian Roque Cordero, North American Louis Moreau Gottschalk, from the 19th century and two legendary Puerto Rican composers, Gonzalo Núñez and José Antonio Pedreira.
The PRSO conducted by Valdés returns to the UPR Theater with a colorful and interesting symphony orchestra on Sept. 4 at 8 p.m.
The piece Colorfields, by Armando Bayolo, Puerto Rican composer living in the States; Concierto Festivo for guitar and orchestra, by Carlos Alberto Vázquez; In the Fast Lane (world premiere), by North American David Stock; and Cuadernos para orquesta, by Argentinian Fabián Panisello. Cuban guitarist René Izquierdo, soloist of the evening, is one of the most outstanding young guitarists on the international scene. He has won prestigious guitar competitions such as the JoAnn Falletta International Guitar Competition, Extremadura International Guitar Competition, Schadt String competition and Stotsenberg International Guitar Competition. The festival closes with a large chamber concert Sept. 5 at 4 p.m. in the Francisco Arriví Theater in Santurce.
The program, directed by flutist Ana María Hernández, will include Kathleen Jones on clarinet, Frances Colón, oboe; Adam Havrilla, bassoon; all PRSO members, with pianists Nora Ponte and Awilda Villarini and percussionist Andrew Lázaro will present a novel program with works by Alfredo del Mónaco, from Venezuela; Nora Ponte, from Argentina; Heitor Villalobos, from Brazil; and Puerto Ricans Carlos Cabrer, José Rodríguez Albira, Alberto Rodríguez and Awilda Villarini.
The Inter-American Festival will also welcome composers Gabriela Ortiz, Armando Bayolo, Fabián Panisello and David Stock, who will come to Puerto Rico especially to participate in the event. They will offer a series of conversations and lectures in the UPR Music Department from Aug. 30 to Sept. 3. Mexican flutist Alejandro Escuer will also present a lecture-workshop on the contemporary technique for flute.
Tickets are on sale at Ticket Center, 787-792-5000. For information, call 787-721- 8370.
http://www.elnuevodia.com/fia2010yadiceadios-773257.html
Inter-American Festival breaks
new ground Aug. 28
World premieres to music from the 19th century will make up the unusual repertoire of the upcoming Inter-American Festival of the Arts to open Aug. 28. Instead of longer festivals as in the past the IFA 2010 will be contained in Americas Music Week, which closes Sept. 5.
However, that week, sponsored by the Musical and Theater Arts Corp., will be jam packed with the most varied and novel offerings with two acclaimed conductors on the podium.
Puerto Rico Symphony Orchestra Musical Director Maximiano Valdés and Puerto Rican composer Carlos Alberto Vázquez will preside over four of the five avant garde concerts of Latin American music.
The concerts will include two symphony programs, two chamber programs and a piano recital. The repertoire reflects the work of several composers from the American hemisphere, including 13 Puerto Ricans, with works from the 19th century until the present.
The broad spectrum of composers will include at least three women, a significant representation in light of the low numbers
The Aug. 28 opening concert begins at 8 p.m. in the Theater of the University of Puerto Rico. The program by the PRSO, conducted by Valdés, will be dedicated to the Bicentennial of the Independence of Mexico and the Centennial of the Mexican Revolution.
Puerto Rican conductor and violinist Guillermo Figueroa will be the soloist in the Concertino Tropical and Insular, both for violin and string orchestra by Ernesto Cordero. Also on the program will be Tanguitis, by Venezuelan composer Alfredo Rugeles, with orchestration by Manuel de Elías; Tureyareyto, by Héctor Campos Parsi; and two Mexican works: Danzón #2, by Arturo Márquez and Fronteras Híbridas, by Gabriela Ortiz.
On Aug. 29 at 4 p.m. in the Raúl Juliá Theater at the Puerto Rico Art Museum, a chamber music will feature PRSO members Francisco Cabán, violín; Emanuel Olivieri, viola; Luis Miguel Rojas,cello; and pianist Diana Figueroa. They will present a novel program of works by Alejandro Cardona, of Costa Rica; Rodolfo Ledesma, of Colombia; Stephen Hartke, of the United States, and Carlos Carrillo and Armando Ramírez of Puerto Rico.
On Sept. 2 in the same venue, Puerto Rican veteran pianist Félix Rivera Guzmán will present a challenging recital with American masterpieces by Venezuelan composer Diana Arizmendi, Chilean Juan Orrego-Salas, Panamanian Roque Cordero, North American Louis Moreau Gottschalk, from the 19th century and two legendary Puerto Rican composers, Gonzalo Núñez and José Antonio Pedreira.
The PRSO conducted by Valdés returns to the UPR Theater with a colorful and interesting symphony orchestra on Sept. 4 at 8 p.m.
The piece Colorfields, by Armando Bayolo, Puerto Rican composer living in the States; Concierto Festivo for guitar and orchestra, by Carlos Alberto Vázquez; In the Fast Lane (world premiere), by North American David Stock; and Cuadernos para orquesta, by Argentinian Fabián Panisello. Cuban guitarist René Izquierdo, soloist of the evening, is one of the most outstanding young guitarists on the international scene. He has won prestigious guitar competitions such as the JoAnn Falletta International Guitar Competition, Extremadura International Guitar Competition, Schadt String competition and Stotsenberg International Guitar Competition. The festival closes with a large chamber concert Sept. 5 at 4 p.m. in the Francisco Arriví Theater in Santurce.
The program, directed by flutist Ana María Hernández, will include Kathleen Jones on clarinet, Frances Colón, oboe; Adam Havrilla, bassoon; all PRSO members, with pianists Nora Ponte and Awilda Villarini and percussionist Andrew Lázaro will present a novel program with works by Alfredo del Mónaco, from Venezuela; Nora Ponte, from Argentina; Heitor Villalobos, from Brazil; and Puerto Ricans Carlos Cabrer, José Rodríguez Albira, Alberto Rodríguez and Awilda Villarini.
The Inter-American Festival will also welcome composers Gabriela Ortiz, Armando Bayolo, Fabián Panisello and David Stock, who will come to Puerto Rico especially to participate in the event. They will offer a series of conversations and lectures in the UPR Music Department from Aug. 30 to Sept. 3. Mexican flutist Alejandro Escuer will also present a lecture-workshop on the contemporary technique for flute.
Tickets are on sale at Ticket Center, 787-792-5000. For information, call 787-721- 8370.
http://www.elnuevodia.com/fia2010yadiceadios-773257.html
Wednesday, August 11, 2010
Sunday, June 6, 2010
60x60 Burgundy Mix debuts in California
On June 9th at 7:00 pm,
CCRMA,Center for Computer Research in Music and Acoustics
The Stage
660 Lomita Drive,
Stanford, CALIFORNIA, 94305
USA
FREE ADMISSION
https://ccrma.stanford.edu/
Composers in 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
_______________________________________________
VoxNovus
On June 9th at 7:00 pm,
CCRMA,Center for Computer Research in Music and Acoustics
The Stage
660 Lomita Drive,
Stanford, CALIFORNIA, 94305
USA
FREE ADMISSION
https://ccrma.stanford.edu/
Composers in 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe. The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
_______________________________________________
VoxNovus
Wednesday, May 26, 2010
60x60 Burgundy Mix debuts in São Paulo, Brazil for May 27, 9PM, at
Ibrasotope (www.myspace.com/ibrasotope)
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) – www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe.
The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
Composers in 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow
May 27, 9:00 PM
Ibrasotope
Rua Januário Miraglia, 43 - São Paulo - SP.
Brazil
www.myspace.com/ibrasotope
The address is Rua Januário Miraglia, 43 - São Paulo - SP.
Ibrasotope (www.myspace.com/ibrasotope)
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) – www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe.
The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
Composers in 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow
May 27, 9:00 PM
Ibrasotope
Rua Januário Miraglia, 43 - São Paulo - SP.
Brazil
www.myspace.com/ibrasotope
The address is Rua Januário Miraglia, 43 - São Paulo - SP.
60x60 - Burgundy Mix - May 20th 6:00 PM - University of Wisconsin
Come to a free hour-long concert to be held beginning at 6pm Thursday, May 20, in the Music Room located in the Wallace Student Center on the University of Wisconsin-Richland campus and you'll not only hear new music, you'll have the opportunity to meet and talk with the composer of one of the featured pieces.
The concert will feature a selection by University of Wisconsin-Richland student Emerson Aagaard entitled "2-2."
James Aagaard, UW-Richland music director said, "This will be a good opportunity for local persons to get a taste of what's currently going on in the field of electronic music."
"Vox Novus 60x60" is the title of the program, apt because the compositions are 60-seconds each and the program includes 60 pieces. In addition to hearing the music, guests will have the opportunity to hear from the composer and ask questions about his work, and the project.
According to their website, "Vox Novus produces and promotes new music. (The organization is) dedicated to contemporary music, the musicians who perform, and the composers that write the music of today. (Their mission) is to cultivate a music community and make their work available to the greater public."
The concert is sponsored by the UW-Richland Music Department. UW-Richland is located at 1200 Highway 14 West in Richland Center. For more information, call the campus at (608) 647-6186.
May 20th, 2010 6:00 PM
Music Room located in the Wallace Student Center
University of Wisconsin-Richland
Music Department
1200 Highway 14 West
Richland Center, Wisconsin
Free Admission
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe.
The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
Composers in the 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow.
Come to a free hour-long concert to be held beginning at 6pm Thursday, May 20, in the Music Room located in the Wallace Student Center on the University of Wisconsin-Richland campus and you'll not only hear new music, you'll have the opportunity to meet and talk with the composer of one of the featured pieces.
The concert will feature a selection by University of Wisconsin-Richland student Emerson Aagaard entitled "2-2."
James Aagaard, UW-Richland music director said, "This will be a good opportunity for local persons to get a taste of what's currently going on in the field of electronic music."
"Vox Novus 60x60" is the title of the program, apt because the compositions are 60-seconds each and the program includes 60 pieces. In addition to hearing the music, guests will have the opportunity to hear from the composer and ask questions about his work, and the project.
According to their website, "Vox Novus produces and promotes new music. (The organization is) dedicated to contemporary music, the musicians who perform, and the composers that write the music of today. (Their mission) is to cultivate a music community and make their work available to the greater public."
The concert is sponsored by the UW-Richland Music Department. UW-Richland is located at 1200 Highway 14 West in Richland Center. For more information, call the campus at (608) 647-6186.
May 20th, 2010 6:00 PM
Music Room located in the Wallace Student Center
University of Wisconsin-Richland
Music Department
1200 Highway 14 West
Richland Center, Wisconsin
Free Admission
This version of 60x60, called 360 degrees of 60x60, is sponsored in part by the International Computer Music Association (ICMA) - www.computermusic.org
The works included in the mix were created specifically for the 2010 ICMC RED Edition (International Computer Music Conference) presented by Stony Brook University in New York City and Stony Brook. Six 60x60 mixes featuring 360 pieces from different composers throughout the world will presented during the conference and at remote concerts around the globe.
The 6 different mixes are all named a different shade of red to honor the RED edition of ICMC: 60x60 Burgundy mix, Crimson mix, Magenta mix, Sanguine mix, Scarlet mix, and Vermilion mix. Each mix is one hour long and contains different composers totaling to 360 different works each by different composers from many different countries around the world.
Composers in the 60x60 Burgundy Mix include:
Emerson Aagaard, Robert Allaire, Tatjana Bahme-Mehner, David Berlin, Kari Besharse, John Bilotta, Rich Bitting, Colin Black, Greg Bryant, Paul Burnell, Thomas Ciufo, Andrew Dolphin, Thomas Donahue, Phil Edelstein, Brendan Faegre, Amanda Feery, Brian Fending, Ken Field, Judy Franklin, Terry Gambarotto, John Gibson, Akiko Hatakeyama, Martin Herraiz, Joel Hickman, Holland Hopson, Nick Hwang, Gretchen Jude, Timo Kahlen, Michiko Kawagoe, Christopher Keyes, Shu-Fang Ko, Robert Lepre, Paul Lombardi, Fernando Lopez-Lezcano, Hayley McCamey, Brian McGeever, Katie McMurran, Alexander Mouton, Ken Paoli, Aki Pasoulas, Joseph Pehrson, Nora Ponte, Gene Pritsker, Giuseppe Rapisarda, Robert Ratcliffe, Tim Reed, Prent Rodgers, Eric Schwartz, Kazuaki Shiota, bob siebert, Diana Simpson Salazar, John Thompson, Dan Tramte, Julian Villegas, Zina von Bozzay, Randall West, Marcus Wrango, Hsi Yang, Zachary Young, and Josh Zaslow.
Sunday, May 9, 2010
Sound Studio Concert: 60×60 Burgundy Mix
60×60 contains 60 works from 60 different composers. Each composition is 60 seconds in duration sequenced together to create a one-hour performance. Highlighting the work of a great many composers, 60×60 testifies to the vibrancy of contemporary composition by presenting the diverse array of styles, aesthetics and techniques being used today.
Featuring works by Paul Burnell, Gretchen Jude, Akiko Hatekeyama, Judy Franklin, Amanda Feery, Emerson Aagaard, Josh Zaslow, Zina von Bozzay, Holland Hopson, Joseph Pehrson, Ken Field, Nora Ponte, Fernando Lopez-Lezcano, Colin Black, Aki Pasoulas, Hayley McCamey, Dan Tramte, Giuseppe Rapisarda, Marin Herraiz, Joel Hickman, Eric Schwartz, Randall West, Prent Rodgers, Brendan Faegre, Zachary Young, Timo Kahlen, Shu-Fang Ko, Tim Reed, Bob Siebert, Paul Lombardi, Tatjana Mehner, John Bilotta, Ken Paoli, Phil Edelstein, Kari Besharse, Thomas Ciufo, Brian McGeever, Nick Hwang, Hsi Yang, Marcus Wrango, Robert Ratcliffe, Alexander Mouton, Diana Simpson, Andrew Dolphin, Kazuaki Shiota, John Thompson, Katie McMurran, Julian Villegas, Christopher Keyes, David Berlin, Brian Fending, Michiko Kawagoe, Terry Gambaratto, John Gibson, Greg Bryant, Gene Pritsker, Robert Lepre, Thomas Donahue, Rich Biting, Robert Allaire.
Admission £5/£2.50 concessions
60×60 contains 60 works from 60 different composers. Each composition is 60 seconds in duration sequenced together to create a one-hour performance. Highlighting the work of a great many composers, 60×60 testifies to the vibrancy of contemporary composition by presenting the diverse array of styles, aesthetics and techniques being used today.
Featuring works by Paul Burnell, Gretchen Jude, Akiko Hatekeyama, Judy Franklin, Amanda Feery, Emerson Aagaard, Josh Zaslow, Zina von Bozzay, Holland Hopson, Joseph Pehrson, Ken Field, Nora Ponte, Fernando Lopez-Lezcano, Colin Black, Aki Pasoulas, Hayley McCamey, Dan Tramte, Giuseppe Rapisarda, Marin Herraiz, Joel Hickman, Eric Schwartz, Randall West, Prent Rodgers, Brendan Faegre, Zachary Young, Timo Kahlen, Shu-Fang Ko, Tim Reed, Bob Siebert, Paul Lombardi, Tatjana Mehner, John Bilotta, Ken Paoli, Phil Edelstein, Kari Besharse, Thomas Ciufo, Brian McGeever, Nick Hwang, Hsi Yang, Marcus Wrango, Robert Ratcliffe, Alexander Mouton, Diana Simpson, Andrew Dolphin, Kazuaki Shiota, John Thompson, Katie McMurran, Julian Villegas, Christopher Keyes, David Berlin, Brian Fending, Michiko Kawagoe, Terry Gambaratto, John Gibson, Greg Bryant, Gene Pritsker, Robert Lepre, Thomas Donahue, Rich Biting, Robert Allaire.
Admission £5/£2.50 concessions
Wednesday 12 May 2010
7:00 PM
Performance Space, College Building, City University London, St John Street, London EC1V 4PB
Concert begins at 7pm
Saturday, May 8, 2010
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